2017 Rhode Island Monthly. Home Design 2017 edition, "Cottage Revival". "Local Artisans: Learning the Ropes".
2016 Wayfair.com. Interview quotations on Interior Design by McKenzie, Designer.
2016 ApartmentTherapy.com. January 25, 2016. "Ellen's Design Challenge: Goodbye, McKenzie".
2016 ApartmentTherapy.com. January 19, 2016. "Ellen's Design Challenge Season 2, Episode 1: In Bed".
2016 ApartmentTherapy.com. January 18, 2016. "Are You In? Get Ready for Season Two of Ellen's Design Challenge With Our Casting Special Recap & Interviews".
2016 ApartmentTherapy.com. January 17, 2016. "Ellen's Design Challenge: Meet McKenzie".
2016 Providence Journal. January 16, 2016. "2 R.I. designers get shot at furniture fame on Ellen's HGTV Show".
2016 HGTV's Ellen's Design Challenge. Season 2, designer/contestant.
2015 Emboss magazine. The Distortion Issue, September. "McKenzie Gibson".
For this inaugural issue of Emboss Magazine, we have chosen to feature the concept of distortion. Herein, you will find artworks dedicated to the warping, twisting, and deforming of our existence. We chose this topic as it not only challenges conceptions of beauty and artistic expression, but our very perception of the natural world around us. We sincerely hope you enjoy the issue and share our desire for a more informed and personal conversation regarding that, which at the end of the day, is simply meant to inspire.
2014 FLOCK 2014 "Fine Art BA Graduates from Leading Art Schools". Exhibition Catalogue. GX Gallery, London, UK.
2014 FloatArt London 2014. Exhibition Catalogue. FloatArt London, London, UK.
2014 Camberwell College of Arts, Degree Show. Exhibition Catalogue. London, UK.
2016 - 2017 Drawing as Writing: Practice as Theory [In Progress] Graduate Thesis. Rhode Island School of Design, Providence, RI
2014 Dynamic Ornament: Completing the Project of Modernism. Undergraduate Thesis. Camberwell College of Arts, London, UK.
2013 Temporality in Southeast London Manifested in Architecture
Hand-made Artist Photography Booklet, 120 pages.
Camberwell College of Arts, London, UK.
Introduction to Temporality in Southeast London Manifested in Architecture:
The buildings of southeast London exist in an interstice of time, wherein they exhibit elements of both the past and the present. Remnants of ornamentation, hundreds of years old, can be seen side-by-side with architectural features that regularly change from one decade to another. A building may retain its structural integrity, but a feature – such as a door – can interrupt its original ‘wholeness’. Whereas, at one time, a structure’s design was apparent at first glance, change in cultural trends, functional needs, and external circumstance has fractured any ‘wholeness’ that had originally existed. New technologies – like electricity, CCTV, and alarm systems – stand next to the ancient technology of stonemasonry.
Present day passers-by may roam the streets of their community, wondering where the changes have come from, why, and how distant they are from the past. The nature of structural and decorative elements within southeast London is temporal; they are a physical manifestation of the time that has passed – as well as the present we’re currently experiencing.
Some things are left, forgotten – but still visible. Others have been changed to update or improve use. These elements stand as the witnesses of time; forgotten memories, current experiences, and the promise of the future – all have been and will be seen by elements of our neighbourhood’s buildings.